…following on
from BILL CLINTON’S LOVE CHILD # 1
37 EXT. OUTBACK AUSTRALIA. LATE AFTERNOON
Through a wide
angle lens, a red dusty road unfolds in the dry desert landscape. The middle of
nowhere indeed.
This has been
the POV of a Prentie (lizard) peering out through the wire mesh of a makeshift
wire cage strapped to a platform welded to a bicycle frame in front of the
handle bars.
The
bare-chested 28 year old man on the bicycle, NOTCH, his long hair tied in a bun
on top of his head, has ‘bush eccentric’ written all over him. He hums
‘Waltzing Matilda’ to himself as he rides – clearly in no hurry to get
anywhere.
Hanging
alongside the rear wheel of Notch’s bicycle are two large leather panniers.
NOTCH’S
humming is gradually drowned out by the sound of a truck driving towards him –
with THUNDER DOWNUNDER written in large letters across the front of it. It is
bearing down on him fast.
38 INT. TRUCK. LATE AFTERNOON
NOTCH on his
bicycle, his hand raised in greeting, can be seen as the truck roars past him.
39 EXT. OUTBACK AUSTRALIA. LATE AFTERNOON
NOTCH rides
his bicycle out of the cloud of dust – covered in a layer of it but still
humming Waltzing Matilda as though nothing untoward had happened.
NOTCH becomes
aware of Venus’ car behind him and of the impatient beeping of the horn. He
raises the index finger of his right hand. Venus car pulls alongside and NOTCH
becomes aware of JOSIE, camera at the ready, preparing to take a photo of him.
He turns to her, smiles and raises his index finger directly in front to the
lens. Venus’ car speeds off into the distance.
As he rides on
down the road NOTCH’S attention is caught by a yellow object at the side of the
road. He stops, leans over and picks it up. It is Josie’s yellow cardboard box
camera. He picks it up, slips it into one of the many pockets in his baggy
khaki shorts and continues on his way, humming ‘Waltzing Matilda’ to himself.
NOTCH pulls up
alongside where Josie’s suitcase hit the ground – strewn with an assortment of
very colourful and imaginatively designed clothes.
He registers
the small figure of JOSIE in the distance, sitting at the side of the road, her
back to him.
40 EXT. ROAD. DAY
JOSIE, wearing
Venus’ ‘Lolita’ sunglasses punches numbers into the pink mobile, holds it to
her ear, speaks in a broad Australian accent - sounding just like Venus.
JOSIE
Sorry,
Terence. Bad reception. Yeah, I’ve got the ‘Big Tony’ tape and…five grand ay?
TERENCE (TELEPHONE)
How soon can
you…
The line goes
dead.
JOSIE
…hello, hello…
NOTCH (VOICE OFF)
Hello.
CLOSE ON JOSIE
as she leaps to her feet in shock, spins around to see:
NOTCH, covered
in dust, wearing on the otherwise naked upper half of his body a multi-coloured
bustier encrusted with beads and tiny mirrors that sparkle in the afternoon
sun.
FREEZE FRAME
on NOTCH, grinning playfully as:
JOSIE begins
to exclaim ‘Fuck’ but gets only as far as ‘F’.
Graphic: NOTCH
41 EXT. OUTBACK ROAD. DAY
As OLIVER
changes a flat tyre on his car he hears the second half of JOSIE’S ‘Fuck!”
exclamation
JOSIE (VOICE OFF)
...aaaaark!
42 EXT. OUTBACK ROAD.
JOSIE is in
shock as she takes in the vision before her. With his hair tied in a knot on
the top of his head, his unshaven face covered in dust and wearing a bustier
much too small for him, NOTCH is the epitome of ‘bush eccentric’.
NOTCH
G'day.
JOSIE (SPLUTTERS)
It's not a
good day. It's a frigging dreadful day.
NOTCH'S eyes
lower. He gets only the briefest of glimpses of the slender pink mobile phone
before JOSIE slips it quickly back into her bag.
NOTCH (GRINS)
That what I
think it is?
JOSIE
No.
NOTCH
What do you
think I think it is?
JOSIE has
turned bright red. Indicating the bustier on NOTCH.
JOSIE
That's my
bustier.
NOTCH
Yeah, thought
as much. Reckon it'd look better on you than me.
NOTCH (NODS)
So…where ya
headed?
JOSIE
You offering
me a ride!?
NOTCH
Depends where
ya going, mate.
JOSIE
Please don't
call me mate! (A BEAT) Don't know where I'm going.
NOTCH
Well, if ya
don't know where ya going', mate, there's a good chance you're already there.
JOSIE
You a
philosopher or something, mate?
NOTCH
Blind man in a
dark room looking for a black hat that isn't there, ay? (A BEAT) Wanna
ride…mate?
JOSIE looks at
the cluttered bicycle, wondering where on earth she could possibly sit.
JOSIE
You've got to
be kidding!
NOTCH grins.
43 EXT. OUTBACK ROAD. CLOSE TO SUNSET.
JOSIE,
clutches the cage with the Prentie in it, balances precariously on the platform
where it was resting earlier, facing NOTCH, her legs dangling. Venus' bag is
slung around her neck. Josie's red suitcase is strapped on NOTCH’S back. JOSIE is terrified of the Prentie - staring at
her.
NOTCH
You got a
name, mate?
JOSIE
No, mate,
m'mum forgot to give me one!
NOTCH
That was
careless of her!
JOSIE
Course I've
got a bloody name! Josie Higgenbottom.
NOTCH bursts
out laughing.
JOSIE
What's so
funny?
NOTCH
Nothing, mate.
JOSIE
Do you have to
keep calling me 'mate'?
NOTCH
Don't have to,
mate, no.
JOSIE
grimaces. Her thighs are aching.
JOSIE
Oooh, my
thighs!
NOTCH
indicates her dangling legs; his lap.
NOTCH
You can rest
'em here if you like.
JOSIE
No way, mate!
NOTCH (SHRUGS)
No worries,
mate?
LATER
JOSIE has her
legs resting on NOTCH'S thighs as he cycles.
JOSIE
You got a
name, mate?
NOTCH
Notch, mate.
Mendelssohn's
Wedding March emanates from the black carry bag.
JOSIE
Notch is not a
name. It's something cowboys have on their belt.
NOTCH
Ya phone's
ringing.
JOSIE
It's not my
phone.
NOTCH
Whatever you
say, mate.
Mendelssohn's
Wedding March stops.
NOTCH
So, all them
fancy clothes of yours…
JOSIE
I'm a fashion
designer.
NOTCH
Would you be
offended if I told you you had weird taste in clothes.
JOSIE
Yes.
NOTCH
You've got
weird taste in clothes, mate.
JOSIE
You looked at
your self in the mirror lately.
NOTCH
Was just about
to ask you the same thing, mate.
He gestures to
the sticky wet patches on JOSIE'S t-shirt. She becomes self-conscious, folds
her arms protectively to cover her breasts. NOTCH leans forward a little,
sniffs.
NOTCH
Smells like
maple syrup.
JOSIE
Don’t be
ridiculous.
Mendelssohn's
Wedding March starts again.
JOSIE
It's not for
me.
NOTCH
Maybe it's for
me.
JOSIE
Yeah, mate,
it's bound to be for you!
NOTCH takes
one hand off the handle bars, reaches into Venus' black bag with his free hand,
pulls out the slender pink phone; looks at it with raised eyebrows.
NOTCH
Get lonely at
night, do you Josephine?
NOTCH presses
the appropriate key and speaks in a 'plummy' English accent.
NOTCH
Josie
Higgenbottom's residence. Miss Higgenbottom's chauffeur speaking.
NOTCH listens,
nods, listens some more, nods.
NOTCH
Hang on a sec
whilst I consult with her Ladyship.
NOTCH rests
the mobile face-down on JOSIE'S thigh; covering the mouthpiece.
NOTCH
Some bloke by
the name of Terence says he's got five grand in crisp new $100 bills for some
shiela called Venus.
JOSIE grabs
the mobile from NOTCH, puts it to her ear.
JOSIE
Venus
speaking…Hello…hello…
The line goes
dead.
NOTCH
Though you
said it wasn't your phone!
JOSIE
He did say
$5,000?
NOTCH
Yeah, for
Venus; not Josephine!?
JOSIE
If you must
know Mr. Notch, I was born Venus but I hated the name so much I changed it to
Josie and then my mother married my step-dad - Bruce
Higgenbottom...and...and... and Terence is my uncle.
NOTCH
The bloke
who's lined up a snake for you?
JOSIE
Snake!
NOTCH
Snake. Said he's lined it up.
JOSIE
It's a kind of
thank-you present… because… because he knows how much I love snakes.
NOTCH
A bit of a
herpetologist are you, Venus?
JOSIE hasn't a
clue what a herpetologist is.
JOSIE
Yes.
44 EXT. NOTCH’S HOUSE. CLOSE TO SUNSET
NOTCH, with
JOSIE balanced in front of him, her legs resting on his thighs, rides into the
cluttered yard of his open-plan ramshackle dwelling.
Notch's house
is made from second hand timber and corrugated iron; the furniture from bizarre
twisted tree trunks. There are no walls. Geological and indigenous flora
specimens speak of Notch's love for the bush.
NOTCH,
carrying his panniers and JOSIE, with her red suitcase, walk under a tree which
has a bush shower hanging from a branch.
NOTCH
If ya need a
shower, Venus.
NOTCH
indicates the bush shower - a bladder filled with water above the nozzle.
NOTCH
Should be
plenty of warm water if ya need to...you know...
NOTCH
indicates the wet sticky patches over each of JOSIE’S breasts. JOSIE turns
bright red again. NOTCH grins, leans close to JOSIE, sniffs.
JOSIE
OK, It is
maple syrup! I was... having some pancakes and, you know...spilt...
NOTCH laughs.
JOSIE is mortified. Closeby there is an old Army Troop Carrier that has been
partially restored. Along the side is stenciled FERAL TOURS.
45 INT. NOTCH’S HOUSE. CLOSE TO SUNSET
As JOSIE and
NOTCH walk 'into' the house, they pass glass cases with snakes and lizards in
them.
NOTCH
Make a bit of
a living selling geological and zoological specimens to museums, universities
and so on.
JOSIE manages
to keep her fear and distaste of snakes and other reptiles secret from NOTCH.
46 EXT. NOTCH’S HOUSE. SUNSET
JOSIE, a towel
wrapped around her, hangs a sarong from the tree in an attempt to provide her
with some privacy as she showers. She calls out to NOTCH, twenty of so feet
away ‘inside’ his house, unpacking his panniers.
JOSIE
Don't look.
JOSIE turns on
the shower, drops her towel.
NOTCH
You got some
bits and pieces ya reckon I haven't seen before, Venus?
JOSIE looks
down, smiles. The phone inside Venus' shoulder bag begins to ring.
JOSIE (SHOUTS)
Don't answer
it!
NOTCH takes
the pink mobile from Venus bag, answers it.
NOTCH
Hello.
Josephine Higgen...
JOSIE flails
her arms in a frantic attempt to stop him, dislodging the sarong, leaving her
nakedness exposed to NOTCH, who averts his eyes as he listens on the phone.
JOSIE clutches
the sarong to her, runs 'inside'.
NOTCH
Hang on a sec,
Terence. I'll put Venus on.
JOSIE takes
the phone, clutching the sarong to her modestly. JOSIE speaks with an
Australian accent.
JOSIE
G'day Terence.
Last bit I got was about five grand in crisp new notes?
NOTCH and
JOSIE’S eyes meet. NOTCH smiles, shakes his head. JOSIE blushes, turns away,
her bare back and bottom facing NOTCH.
TERENCE'S VOICE
You got it,
sweetheart! How soon can you get to Sydney?
JOSIE
Sydney!
That's...more than 3,000 kilometers!
NOTCH takes
the yellow disposable camera from his pocket.
CLOSE ON:
JOSIE’S face.
TERENCE'S VOICE
A few days?
Friday?
JOSIE bites
her lip, unsure what decision to make. In the background NOTCH can be seen
lifting the camera to his eye.
A ‘thought
bubble’ appears alongside JOSIE’S head.
In it is VENUS - speaking to her:
VENUS
If you want
something bad enough you do whatever it takes, babe. Whatever it takes.
NOTCH’S point
of view as he takes a photo (‘Click’) of:
Josie's naked
back and bottom. FREEZE FRAME. Over JOSIE’S naked back:
Graphic: BACKSTORY
47 MONTAGE. NUMEROUS LOCATIONS.
Planet Earth
seen from outer space - crash-zooming in on the Northern Territory of
Australia. The voice over is read by a man in deep ‘voice of God’ tones. In the
background Donna Summer’s ‘Hot Stuff’ is heard.
VOICE OVER
On 1st.April, in the year of our Lord, 1979, at 2.13
Greenwich Mean Time, as Margaret Thatcher becomes Prime Minister of Great
Britain and Donna Summer’s ‘Hot Stuff’ hits number one on the charts...
A baby girl is
born. Through the window can be seen a dry desert landscape.
VOICE OVER
...Rhonda Patterson joins the human race in the same
moment as, on opposite sides of the planet...
Another baby
girl is born. Through the window: a snow-covered street.
VOICE OVER
...Josephine Higgenbottom leaves the warm comfort of
her mother’s womb.
Josephine’s
vain actress mother (Josephine Senior) surrounded by well-wishing costumed
actors cradles her new baby proudly.
VOICE OVER
In 19 years, seven months, two days, 6 hours and 23
minutes, as Presidential candidate Bill Clinton fields...
Rhonda’s
mother (Phyllis) stands by the Hills Hoist clothesline, babe in arms.
VOICE OVER
...questions about the sex he didn’t have with Monica
Lewinsky, Josephine and Rhonda are destined to meet, though they have no idea
of this just now.
Rhonda, 6
months, is baptized in a church.
VOICE OVER
In fact neither Josephine nor Rhonda have any ideas in
their heads just now, though…
Baby Rhonda’s
POV: Phyllis raises her eyes to the large portrait of a blonde Jesus Christ
hanging on the wall.
VOICE OVER
… this state of affairs does not last long for baby
Rhonda.
PHYLLIS
Praise the
Lord.
VOICE OVER
Phyllis’ unwavering belief that God has a plan for
Rhonda...
Hanging next
to the portrait of Jesus is a painting of Adam and Eve and the Serpent tempting
Eve with an apple.
VOICE OVER
... is destined to be sorely tested!
Baby Rhonda
stares wide-eyed at the Serpent.
Graphic: VENUS'S
STORY…in a nutshell
PHYLLIS, baby
RHONDA on her hip, hangs washing on the Hills Hoist in the yard of the
ramshackle old fibro house she still lives in surrounded. There is a caravan
parked in the yard.
VOICE OVER
Shortly after Rhonda was born, her mother, Phyllis,
lost her husband, Dick, and found God.
RHONDA, aged
3, looks up at PHYLLIS; waiting for an answer to a question she has just asked.
PHYLLIS
The Good Lord
took your father away.
RHONDA looks
towards the caravan.
CLOSE ON
RHONDA as she visualizes:
Her father,
DICK, smiling at her as God's huge hand appears from the sky, picks him up and
lifts him out of frame.
VOICE OVER
This was not strictly speaking true because Dick
returns a few months later…
God's huge
hand deposits DICK alongside RHONDA.
DICK tries to
scare RHONDA with a small rubber snake but fails - her face lighting up with a
happy smile as PHYLLIS appears in the background, a beatific smile on her face.
PHYLLIS
Praise the
Lord.
VOICE OVER
…and stays long enough to take out a mortgage on the
house...
RHONDA looks
through the window of the rocking caravan.
VOICE OVER
…and obey the Lord's instruction to 'Go Forth and
Multiply', resulting…
DICK, lying on
top of PHYLLIS, looks lovingly into her eyes.
RHONDA, rubber
snake in hand, stands beside PHYLLIS, 9 months pregnant, watching DICK drive
off, towing the caravan.
VOICE OVER
…in Phyllis adding to the already rich store of ideas
she has put into Rhonda's head…
PHYLLIS
Your father is
a snake in the grass.
RHONDA looks
at her rubber snake: its head transforms into her father's head smiling and
winking at her.
VOICE OVER
…and in a new addition to the human race.
Phyllis gives
birth to a baby girl.
VOICE OVER
Rhonda prayed
for a brother but God, in his infinite wisdom, gave her a sister… Mary
Magdalene Patterson.
RHONDA looks
questioningly up at PHYLLIS (BABY MARY on her hip) as
PHYLLIS picks
up one of several pill bottles from a kitchen shelf, tosses a couple of pills
into her mouth.
VOICE OVER
It doesn’t take long before Rhonda is introduced to
the magical power of…
PHYLLIS
Mother's
Little Helpers.
RHONDA watches
PHYLLIS (smiling beatifically) as she washes dishes.
VOICE OVER
The process of putting ideas into Rhonda's head
continues for some years before Rhonda starts to have some ideas of her own.
RHONDA (8
years old), MARY (4 years old) and PHYLLIS look into the empty refrigerator
PHYLLIS
The Lord will
provide.
VOICE OVER
Alas, the Lord does not provide, so Rhonda takes
matters into her own hands.
RHONDA, in a
supermarket, stuffs cheese, milk and bread into her school satchel. Smiling innocently,
RHONDA walks nonchalantly past the Security Guard at the entrance.
RHONDA looks
up to PHYLLIS who is inspecting the contents of the now full refrigerator.
PHYLLIS
You see, the
Lord works in mysterious ways. He has a plan.
VOICE OVER
And so, at the age of eight, Rhonda sets about
fulfilling God's plan…
PHYLLIS and
MARY kneel; praying. RHONDA (8 still) sits nearby taking notes.
PHYLLIS (PRAYING)
…a new school
uniform for Mary, an egg-beater, fish for Friday…
RHONDA (still
8) steals a school uniform, an egg-beater and (most difficult of all!) a fish.
As PHYLLIS
cooks the fish in the kitchen, RHONDA picks up a bottle of 'Mother's Little
Helpers' and starts to unscrew the lid. PHYLLIS takes the pills from her.
PHYLLIS
God doesn't
want little girls to eat these.
RHONDA reads
an illustrated story of the Garden of Eden.
VOICE OVER
The similarity between this prohibition of God's and
another does not escape Rhonda's attention.
GOD, dressed
in white, issues a stern warning to naked Adam and Eve as Eve looks longingly
at an apple in a tree.
GOD
Thou shalt not
eat of the Tree of Knowledge. If ye do, ye shalt die.
VOICE OVER
Rhonda knew that Adam and Eve did not die as a result
of eating from the Tree of Knowledge…
RHONDA (11
now) watches, puzzled, as the Nun-Teacher finishes writing on the blackboard:
KNOWLEDGE IS POWER
RHONDA
Why did God
curse the Serpent for telling Eve she should eat from the Tree of Knowledge
when you…
NUN
Rhonda, its
not for you to question the Word of God.
VOICE OVER
It is too late, however, to stem the flow of questions
flooding Rhonda's brain.
RHONDA
It's unfair to
serpents.
VOICE OVER
And so it is that Rhonda's love of snakes is nurtured and grows.
Rhonda looks
at snakes in glass cages in a pet store.
VOICE OVER
Feeling the need to chose between God's opposition to
women's education and the Serpent's more liberal views regarding knowledge…
Rhonda looks
at a snake shedding its skin; entranced.
VOICE OVER
…Rhonda sides with serpents. She anticipates some
opposition from her mother but is prepared.
Rhonda shows
the python to Phyllis, a bandage wrapped around its middle.
RHONDA
She was run
over by a car and the Lord asked me to help her in her time of need. Her name
is Serpent.
PHYLLIS (BEATIFIC SMILE)
Oh!
Rhonda (12
years old now) inspects the bottle of Mother's Little Helpers in her hand.
VOICE OVER
No longer convinced that her mothers' Little Helpers
have any role to play in God's Plan Rhonda conducts her first chemical experiment
and discovers …
She takes a
pill and pops it into her mouth.
VOICE OVER
… that 'Mothers Little Helpers' can be divided into
two categories.
In her
bedroom, RHONDA looks at two small boxes - one green, with GO written on it;
one red, with STOP written on it. She opens the GO box, takes out a pill, pops
it into her mouth.
VOICE OVER
Her continuing chemical experiments lead her to the
discovery of new states of consciousness.
RHONDA, aged
15,'stoned', watches in awe as Serpent, her pet as python, sheds her skin.
RHONDA
I will shed my
skin and live forever.
As PHYLLIS
prays, RHONDA, starts to shed her clothes. PHYLLIS, her eyes shut, is oblivious
to RHONDA'S performance, but MARY (aged 11) opens one eye for a peek and can't
help but enjoy what she sees.
VOICE OVER
And so it is that Rhonda, with the help of her friend,
Cheryl, discovers an alternative way to keep her mother's refrigerator stocked.
RHONDA, 15, in
a school storage room, performs a strip-tease to the tune of “Jesus loves me
this I know” as Cheryl collects money from a group of 16 year old boys. TWO
NUNS appear in the doorway and react with horror to the sight of Rhonda dancing
in her bra and knickers.
VOICE OVER
Rhonda's education comes to an abrupt halt. This
causes her mother some distress at first but Phyllis' prayers…
PHYLLIS, hands
on Rhonda's shoulders, eyes raised to heaven.
VOICE OVER
…are answered when Rhonda gets her first job…
RHONDA puts
food in the refrigerator as she answers PHYLLIS' question.
RHONDA
I’ve got a job
in the service industry.
Rhonda, in the
briefest of bikinis, pops out of a huge 'cake' singing “Happy Birthday to you…”
to the raucous applause of an assembled football team.
VOICE OVER
That Rhonda is still only 15 years old causes some
complications with Child Welfare…
RHONDA, in her
bedroom filled with stolen goods is confronted by THREE UNIFORMED POLICEMEN and
TWO CHILD WELFARE OFFICERS.
VOICE OVER
…but it is her re-distribution of goods provided by
the Lord that results in her being provided with alternative accommodation…
Juvenile
Detention Centre. RHONDA sits beside a teenage boy looking at a page torn from
a BMW Mechanics Manual, at a detailed drawing of the BMW door-locking system.
VOICE OVER
…and an alternative education.
YOUNG CAR THIEF
What you gotta
know about the BMW locking system is…
VOICE OVER
And it is in this alternative accommodation that Venus
discovers her unique talent with computers. A talent…
Juvenile
Detention Centre Activities room. Under the watchful eye of a WELFARE OFFICER,
RHONDA sits in front of a computer. On the screen is the PENTAGON Home Page.
VOICE OVER
…that makes it possible for her to roam freely inside
almost any computer in the world that takes her fancy…
We see RHONDA
hack into the computers of Madonna, Michael Jackson, Brad Pitt etc.
VOICE OVER
By the time she is 18, the now multi-skilled Rhonda is
too old to utilize this alternative accommodation any longer and so…
RHONDA walks
out of Juvenile Detention Centre, bag in hand.
RHONDA, in
Sydney Harbour Bridge-shaped sunglasses, a pink wig and with a 12 foot python
wrapped around her scantily clad body, performs an erotic dance in a crowded
smoke-filled strip joint. Behind her, a sign: VENUS APHRODITE.
VOICE OVER
…with her mother and sister still to support and not
wishing to destroy Phyllis' faith in God, Rhonda, who has changed her name to
Venus Aphrodite, continues to provide…
VENUS/RHONDA
greets PHYLLIS at the front door of her house with a big bunch of flowers, a
basket full of food and an envelope filled with cash.
VOICE OVER
And so it is, one day...
VENUS, in the
dressing room of the strip club with THREE YOUNG STRIPPERS looks at the TV - on
which Tony (BIG TONY) Babbit can be seen
pontificating to reporters:
VOICE OVER
...when she sees Tony Babbit on TV
BIG TONY (on TV)
Only when this great country of ours embraces
traditional family families...
VOICE OVER
...that an idea occurs to her.
VENUS calls
the other TWO YOUNG STRIPPERS over, tells them her plan. In a
MONTAGE:
- VENUS, a
photo of Tony Babbit at her side, flicks through a book filled with photos of
male actors, stops on one; smiles.
- VENUS,in a
motel room, hands a middle aged actor a wad of money and proceeds to shave his
head.
- VENUS
attaches fake ears to the actor, stripped down to his underwear, so that he now
looks very like Big Tony.
- VENUS stands
behind a camera on a tripod, signals to ‘BIG TONY’, to take off his underpants.
Behind her the TWO YOUNG STRIPPERS start to take their clothes off.
- VENUS speaks
on the telephone.
VENUS
How much would
you pay for footage of Tony Babbit dancing naked in a motel room with two
teenage high school girls?
48 EXT. NOTCH’S HOUSE. SUNSET
The frozen
image of JOSIE’S naked back unfreezes. NOTCH smiles, shakes his head, places
the camera back on the table.
CLOSE ON JOSIE
JOSIE
$5,000 it is,
Terence. See you in Sydney on Friday, Terence
TERENCE'S VOICE
Looking
forward to it, Venus.
…to be
continued…
JOSIE smiles
triumphantly, punches the air with her fist.
…to be
continued…
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